LP, Car Seat Headrest, Nap Eyes, Lauren Ruth Ward, Josiah and the Bonnevilles - May-June 2017

Natalie and I went to U Street Music Hall on Sunday, May 28, 2017 (Memorial Day weekend) to see LP.  The openers were Josiah and The Bonevilles and Lauren Ruth Ward.

Josiah's Bonevilles appeared imaginary to me, thought we were late arriving and only caught the final song or two - perhaps they exited the stage prior to the song and a half we caught. An online search for the band name brings up images of one to four people, including the singer I saw. He was good, in an acoustic, singer-songwriter way. I didn't fall in love with his music, but I didn't find it boring or irritating either.

Lauren Ruth Ward turned out to be a band, and the singer had a very good voice and decent energy on stage.  I thought they were quite good live, until LP took the stage, that is. LP was one of those rare performers who is not only a virtuoso at her craft (amazing vocals), but also had charisma. She wasn't ultra-talkative, but she still connected with the audience, and everyone had a fantastic time. It was a really impressive performance that went on and on. I think of LP as a relatively new artist, but she apparently has plenty of songs in her playbook. She was on stage for at least an hour, and we skipped the encore.

LP

Lauren Ruth Ward

Josiah and the Bonevilles

On June 1, 2017, Jill and I went to 9:30 Club to see Car Seat Headrest, a 4-piece new band made up of barely post-pubescent young men.  Their recorded music is exceptional, and the lead singer's voice is  rather deep and mesmerizing. I was REALLY looking forward to the show, but unfortunately, they were HORRIBLE as showmen. They just stood there. The drummer or guitarist tried to say something once in a while, but everything they tried fell flat. The sound mixing had every setting at the max, so even with earplugs, it was too loud and chaotic sounding. And there were strobes aimed at the audience, blinding us.  I started looking at my watch 2 songs in and left after about 4 songs. It was a major disappointment. I missed most of the opener, Nap Eyes, an indie jam-band from Canada. I did not like what I heard from them, so didn't mind that I missed most of their set. I really hate jam bands.

Nap Eyes

Car Seat Headrest

Middle Kids, March 30, 2017 at DC9

On Thursday, March 30, 2017, I went alone to DC9 to see headliner Middle Kids. A local band called The Queue was the opener. Queue suffered from horrible sound quality, so it was hard to judge the vocals.The musicianship seemed to be at a beginner band level. I thought they must have been chosen as the opener before Middle Kids exploded, but they said they were hired after the Conan appearance. The bassist had a great personality. The last song was the best. It had a moody quality to it.

The Queue

Hannah Joy

 Middle Kids were fun and frenetic. Hannah Joy, the singer, has a fantastic voice. She and Tim Fitz (the guitarist/bassist) were the start of the band, which includes drummer Harry Day and some random bloke for the stage show. I got the impression Hannah and Tim were married to each other based on the wedding bands on their hands and the connection they seemed to have. It looked like they had a bunch of inside jokes they shared with one another. I can't confirm that impression based on a web search, though. Hannah looks like a model  - tall, great features, lots of presence. The  show had energy and charm - I highly recommend it. I think this band will get very big.

Middle Kids

Late 2016 and Early 2017 Shows

I went to a few shows in late 2016/early 2017 that I never got around to writing up, so I'm posting them as a group here, with limited reviews.

On Friday, October 28, 2016, I saw Margaret Glaspy (with opener Half Waif) at DC9 in Washington, DC. Margaret was authentically awkward - it wasn't an affectation. She did the growl-y voice a bit much. I remember nothing about Half Waif, which means I didn't like them.

Half Waif

Margaret Glaspy

 On Monday, December 12, 2016, I joined Dana and Trish at iHeartRadio's Jingle Ball at the Verizon Center.

Fifth Harmony seemed like a dance production for teens who want to learn to be strippers. I got the impression that some of their set was pre-recorded.

 Tove Lo wore pasties and short overalls with crotch flames - her usual classy self. I think they might have made her add the translucent camoflage pattern body suit because "it's a family show" (LOTS of kids in the audience.) She's got a great voice, and she's the poster girl for daddy issues.

Alessia Cara was young and had a great voice. She was all about empowerment.

 Ellie Goulding had a confetti cannon.

 Machine Gun Kelly was a short act. The girl from 5th Harmony did the vocals, and I thought it was horrible.

 G-Eazy seemed to have been weened on Beastie Boys as tots. There was a lot of cursing to really bad music. Diplo was a DJ with fireworks and strobes. I can't even remember his set. Then Niall Horan took the stage for an acoustic song and made a bunch of tweens squee. He's from One Direction.

 Daya was the last act I saw - she's some random pop singer I don't care about. 

 March 18, 2016, I joined Dana and her friend Meredith at Tropicalia in the U Street neighborhood of DC for opener The QREW followed by headliner Madame Gandhi. Dana runs a charity  (Support the Girls) that had a presence at the show. QREW was pretty good for a local act. They had a lot of energy and fun audience interaction gimmicks, including a Mylar balloon that said LOVE that they passed through the audience, asking the audience to sing, and sending a dancer with lights and wings into the audience to spin and dance.

 Dana tells me that Madame Gandhi is having a moment in youth culture. She was MIA's drummer before her solo career and is a Georgetown University alumni. She's all about female empowerment. Her style is spoken word/rap. It's not my thing at all, and I don't find the music to be well composed or performed. Her fans love her, though, and she was supportive of Dana's charity, so it was good to be there in support.

All Things Go Fall Classic - October 8, 2016.

My daughter Natalie joined me (Anita), Dana, and Jill at the All Things Go Fall Classic on Saturday, October 8, 2016. The line-up was great, so we were really looking forward to it. The weather leading up to the day was excellent, then a hurricane struck to the south and it ended up lightly raining for the first six hours of the concert. It was a poorly attended muddy mess, which really is a shame. I was bummed that the Landmark festival did so poorly it won’t be repeated. I’m hopeful that this show grows into a real festival someday. Biggest drawback: the mud, of course, but also the 30 minute wait between each act with nothing to do but eat and drink. There’s only so many Korean tacos any one person can eat! It would have been so much better with a second stage. The sound mixing was often good, with occasionally heavy-handed bass that bothered me. (It shouldn’t hurt with earplugs in!)

Dana: I didn't mind the rain and mud, as we were all fairly well prepared. Sometimes I'm so excited to be at a music festival with friends

Ace Cosgrove – None of us saw this act, but none of us like this artist either, so no love lost.

Sofi Tukker – Natalie was impressed by the personality of this duo. They are young and met their senior year at Brown University. The man, Tukker, used to play college basketball, then some illness left him bedridden for 8 months during which time he reignited a passion for music. Sofi had a very international upbringing that sounds like an ambassador’s kid’s life. She’s German-born and Italian-educated and taught herself guitar and Portugese while on study abroad. Both have ready smiles and engaging personalities on stage. I loved their exuberance, and the book-tree-drum thing they used for synthesized sound reminded me of early Purity Ring and their use of light-sound machines.

Pop Etc – This band used to be named Morning Benders. They were boring on stage; we really just watched the videos above them, but the music sounded good. They ended with the song everyone was there to hear. (“What Am I Becoming?”)

Bishop Briggs – AWESOME, according to Natalie. She has an amazing voice and a twitchy style of movement when she’s not hunched over on herself. Surprisingly, her horrible posture doesn’t affect her singing.  I loved her Mickey Mouse hair buns and deadmouse-esque icon. She looks goth but sounds like a church revival with naughty lyrics.

Christine and the Queens CANCELED. That’s right. Here’s what Christine said on Twitter as her reason:

Prima donna much? So instead, Sofi Tukker did an extra set with Ace Cosgrove joining for a while, and maybe some others. They even crowd surfed. Very fun.

Sylvan Esso was surprisingly disappointing. It says something about the low quality of performance at Firefly 2015 that Sylvan Esso wowed by comparison there and bombed at All Things Go. Part of it was that you just couldn’t see them through all the smoke machine smoke. Such a stupid effect outdoors! (And I would argue, indoors as well.) Natalie felt ill during this act and there were still four hours left until the end of the concert, so we bailed. Standing around for 6 hours, unable to sit down on the ground had taken a toll on us both.

Passion Pit - Anita and Natalie missed this, which Anita didn’t mind at all.

Empire of the Sun - This was a real bummer to miss (the entire reason I bought tickets!!) But it was just too much standing around in the cold and wet weather.

Sofar Sounds pop-up concert September 16, 2016 - Plastic Picnic, Edy Blu, Tyne

Sofar Sounds does secret venue/secret act living room concerts all over the world. The idea is that intimate settings and a lack of expectations create a magically environment for both the guests and performers. And the sets are all short - 30 minutes give or take - so even if you hate an act, they leave the stage soon enough. Eric and I tried it on the lunch patio/rehabbed loading dock of a Union Market startup office building made from a converted warehouse. Very hipster. The audience was mostly 20 to 30 somethings, but with enough diversity to not be entirely cliche. There were even a few people older than us 40-somethings.  Eric and I sat off on our own in the comfy chairs we claimed when we arrived, but the main mass of people were grouped closer together on benches and blankets, and there seemed to be some mingling of strangers, which is part of the point. Overall, I didn't find a new favorite, but I did enjoy the evening out very much. I recommend it for date night.

PLASTIC PICNIC
The first act were all from Seattle(?) but met in Brooklyn, and hadn't been together long. I got some hairy eyeballs for using my phone to take notes during the set, but this is what I wrote: guitar driven beach-inspired sound with lots of vocal reverb. Upbeat, dreamy, echoes, tinny, synth-heavy, uneven sound mixing.

Plastic Picnic, from Brooklyn

EDY BLU
Edy Blu is a singer songwriter from DC. She exhibited moments of vocal excellence, but most of her sound was too samey-samey for me. I think she could grow into some impressive musicianship. She has a great look and is good at engaging the crowd.

Edy Blu, from DC

TYNE
Her confidence and disarming personality were very nice, as was her banter. Her voice was lovely, but her style depressing. She even joked about being a 19 year old who writes depressing songs. I feel like I've heard too many artists who are similar, but she does have talent. She's just not my thing.

Tyne, from the UK

PWR BTTM at DC9 on June 13, 2016

 Monday, June 13, 2016 at DC9, I got to see the only band I’ve been excited about in 2016 – PWR BTTM. They are a very out queer duo. One of them might actually be trans – I don’t know. Bob Boilen of All Songs Considered raved about their live show, so I listened to their music and found it fun. Pop sensibility in that you can understand the words. Lyrics are clever and easy to remember (also easy to sing along to), and since the topics are usually relationships, the songs are relatable to non-queer audiences.  Very over-the-top costuming involving cross dressing, smeared makeup, and LOTS of glitter. The best part was the banter. I LOVE when the musicians create a relationship with the audience by talking to them between songs. If a live show doesn’t provide something more than just music, why bother going to live shows? They get it and put on a real performance. And they cared about what the audience could hear. I get so annoyed at shows where the instruments are too high and the vocals too low. They asked the audience and adjusted to improve. Even plagued with some feedback, it was still a big improvement.  I had heard them joking at a recorded session that they were going to make PWR BTTM underwear as merchandise, and I was slightly disappointed that they didn’t have it at the merch table. They are  funny, and I like their sense of humor. Next time I’m dragging everyone I know to this show. You’ll like it, I swear.

Petal was the first opener. The best thing I have to say about her is that her eyes looked Technicolor blue in the stage lights, and her hair looked silver. I also liked the flowers she pinned to her guitar strap. And her skin was lovely – great complexion. The music sounded horrible. I couldn’t hear a word she said with the instruments up so high and the constant feedback. Even if I had understood the lyrics, I don’t think I would have liked it. She seemed too earnest for me.  

Pity Sex was the headliner. I heard them rehearsing before the doors opened and wasn’t impressed, so I didn’t stay for any of their act. They seemed like a standard rock band with a female lead. Nothing special.

Twenty One Pilots, Merriweather Post Pavillion, Friday, June 10, 2016

We went as a family to Twenty One Pilots at Merriweather Friday night, June 10, 2016,  because both kids love the song “Stressed Out”. It was Sidney’s first concert (age 7, end of 1st grade.) The show was sold out and we left our house later than ideal, so we ended up in traffic for 2 hours (usually 45 minutes). For the entire 2nd hour of that drive, we were virtually parked on the off ramp, 2 miles from our destination, with kids squabbling and crying in the back seat. When we arrived, the lawn was crazy packed and the food lines long. Lesson learned: we MUST leave to arrive when the doors open for sold out Merriweather shows. We can’t leave targeting the show start time and have a pleasant experience.

We entirely missed Dutch opener Chef’Special. I just listened to them on Spotify, and I’m not heartbroken. They seem to be popular in Europe, but they are just another dude band.

Mutemath was playing as we entered and finally got a spot on the lawn. They declined video projection and instead just posted their band name on the screen. That was a jerk move – no one on the sold out lawn could see what was on stage. Since I care a lot about the live performance, this was a big fail for me.

 

Twenty One Pilots had a really good stage show that Eric and Natalie raved about. They started off in the suits and hoods of their promotion pics, then changed outfits a couple times. The drummer ended up shirtless for most of the show, and he’s the kind of guy who looks great that way, so no complaints. There was a lot of standing on the audience while singing (or playing drums!) and acrobatic jumping. (How did the singer jump onto a piano? Springs in his feet?) There were some cover songs with the openers coming out on set. There were some great graphics on the large screen behind the act. Natalie was impressed by the dancing skeletons. There was a mini-movie during the wardrobe change that was a bit spooky involving death-outfitted minions who where lonely. Natalie was very impressed by the creativity. I was surprised by how much of their music is reggae-inspired. I don’t know much of their catalog and didn’t love it. Eric compared them to 311 (and that’s not a compliment.)

Sidney had a one track mind – he asked at the beginning of every song if this one would be “Stressed Out.” He had to wait an hour for anything we recognized. Sidney stood for a couple songs, but then got tired and sat down in the sea of legs. I joined him, so we missed a big chunk of the visuals. We left during “A Tear in My Heart” to beat traffic out of the lot.

Not a total success, but not a fail either. It would have been a much better experience if the show had not sold out.